Everything about The Vendidad totally explained
The
Vendidad or
Videvdat is a collection of texts within the greater compendium of the
Avesta. However, unlike the other texts of the Avesta, the
Vendidad is an ecclesiastical code, not a liturgical manual.
The name of the texts is a contraction of the
Avestan language Vî-Daêvô-Dāta, "Given Against the Demons", and as the name suggests, the
Vendidad is an enumeration of various manifestations of evil spirits, and ways to confound them. According to the divisions of the Avesta as described in the
Denkard, a 9th century text, the
Vendidad includes all of the 19th
nask, which is then the only
nask that has survived in its entirety.
The
Vendidad's different parts vary widely in character and in age. Although some portions are relatively recent in origin, the subject matter of the greater part is very old. In 1877,
Karl Friedrich Geldner identified the texts as being linguistically distinct from both the Old Avestan language texts and well as from the
Yashts of the younger Avesta. Today, the
Vendidad is classified as an "artificial" Younger Avestan text, that is, its language attempts to mimic Old Avestan. In its extant form, the
Vendidad is considered to be a Magi (or Magi-influenced) composition. It has also been suggested that the Vendidad belongs to a particular liturgical school, but "no linguistic or textual argument allows us to attain any degree of certainty in these matters."
The
Vendidad consists of 22
fargards or chapters containing fragments arranged as discussions between
Ahura Mazda and
Zoroaster. In the past, among Zoroastrians themselves, this literary technique caused the
Vendidad to be mistaken for a composition by one of the prophet's contemporaries.
The first chapter is a dualistic
account of creation, followed by the description of a destructive winter comparable with the
great floods of various other mythologies. The second chapter recounts the legend of
Yima (
Jamshid). Chapter 19 relates the temptation of
Zoroaster, who, when urged by
Angra Mainyu to turn from the good religion, turns instead towards
Ahura Mazda. The remaining chapters cover diverse rules and regulations, through the adherence of which evil spirits may be confounded. Broken down by subject, these
fargards deal with the following topics (chapter(s) where a topic is covered are in brackets):
- hygiene (in particular care of the dead) [3,5,6,7,8,16,17,19] and cleansing [9,10];
- disease, its origin, and spells against it [7,10,11,13,20,21,22];
- mourning for the dead [12], the Towers of Silence [6], and the remuneration of deeds after death [19];
- the sanctity of, and invocations to, Atar (fire) [8], Zam (earth) [3,6], Apas (water) [6,8,21] and the light of the stars [21];
- the dignity of wealth and charity [4], of marriage [4,15] and of physical effort [4]
- statutes on unacceptable social behaviour [15] such as breach of contract [4] and assault [4];
- on the worthiness of priests [18];
- praise and care of the bull [21], the dog [13,15], the otter [14], the Sraosha bird [18], and the Haoma tree [6].
There is a degree of
moral relativism apparent in the
Vendidad, and the diverse rules and regulations are not always expressed as being absolute, universal and mandatory. In some instances, the description of prescribed behaviour is accompanied by a description of the penances that have to be made to atone for violations thereof. Such penances include:
payment in cash or kind to the aggrieved;
corporal punishment such as whipping;
repeated recitations of certain parts of the liturgy such as the Ahuna Vairya invocation.
Althouth the Vendidad isn't a liturgical manual, a section of it may be recited as part of a greater Yasna service. Although such extended Yasnas appears to have been frequently performed in the mid-1700s (as noted in Anquetil-Duperron's observations), it's very rarely performed at the present-day. In such an extended service, Visparad 12 and Vendidad 1-4 are inserted between Yasna 27 and 28. The Vendidad ceremony is always performed between nightfall and dawn, though a normal Yasna is performed between dawn and noon.
The Vendidad may also be recited on its own, not accompanied by any ritual activity: this ceremony is known as the Vendidad Sadé.
Because of its length and complexity, the Vendidad is read, rather than recalled from memory as is otherwise necessary for the Yasna texts. The recitation of the Vendidad requires a priest of higher rank (one with a moti khub) than is normally necessary for the recitation of the Yasna.
Bibliography
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